Ken Burns on His Monumental American Revolution Project: ‘This Is Our Most Crucial Work’
The veteran filmmaker has evolved into beyond being a historical storyteller; he is a brand, an unparalleled production entity. Whenever he releases documentary series heading for the PBS network, all desire a part of him.
The filmmaker completed “more fucking podcasts than I ever thought possible”, he remarks, nearing the end of his marathon promotional journey that included numerous locations, numerous film showings and hundreds of interviews. “There seems to be a podcast for every citizen, and I believe I’ve appeared on most of them.”
Happily Burns is a force of nature, as loquacious behind the mic as he is prolific during post-production. At seventy-two has appeared at locations ranging from Monticello to The Joe Rogan Experience to discuss his latest monumental work: The American Revolution, a comprehensive multi-part historical examination that dominated ten years of his career and premiered recently on public television.
Timeless Filmmaking Method
Similar to traditional cooking amidst instant gratification culture, The American Revolution intentionally classic, evoking memories of historical documentary classics rather than contemporary digital documentaries audio documentaries.
For the documentarian, who has built a career chronicling strands of US history including baseball, country music, jazz and national parks, its origin story is not just another subject but foundational. “As I mentioned to directing partner Sarah Botstein during our discussions, and she shared this view: we won’t work on a more important film Burns states during a telephone interview.
Massive Research Effort
The filmmaking team and screenwriter Geoffrey Ward drew upon thousands of books and primary source materials. Multiple academic experts, spanning age and perspective, provided on-air commentary along with leading scholars covering various specialties including slavery, first nations scholarship and imperial studies.
Signature Documentary Style
The style of the series will feel familiar to viewers of Burns’ earlier work. Its distinctive style featured gradual camera movements over historical images, abundant historical musical selections and actors interpreting primary sources.
That was the moment the filmmaker cemented his status; decades afterwards, now the doyen of documentaries, he can apparently summon numerous talented actors. Participating with Burns during a recent appearance, renowned playwright Lin-Manuel Miranda noted: “When Ken Burns calls, you say ‘Yes.’”
Remarkable Ensemble
The lengthy creation process proved beneficial concerning availability. Sessions happened at professional facilities, at historical sites through digital platforms, an approach adopted during the pandemic. Burns recounts working with Josh Brolin, who found a few free hours in Atlanta to perform his role as the revolutionary leader prior to departing to other professional obligations.
Brolin is joined by multiple distinguished artists, respected performing veterans, diverse creative professionals, Tom Hanks, Ethan Hawke, Maya Hawke, Samuel L Jackson, Michael Keaton, Tracy Letts, Damian Lewis, Laura Linney, Tobias Menzies, versatile character actors, television and film stars, plus additional notable names.
The filmmaker continues: “Honestly, this could represent the finest ensemble gathered for any production. They do an extraordinary service. Their celebrity status wasn’t the criteria. I got so angry when somebody said, ‘So why the celebrities?’. I go, ‘These are actors.’ They are among the world’s best performers and they animate historical material.”
Historical Complexity
However, no contemporary observers remain, visual documentation compelled the production to lean heavily on the written word, combining the first-person voices of nearly 200 individual historic figures. This approach enabled to show spectators not just the famous founders of that era plus numerous additional crucial to understanding, many of whom never even had a portrait painted.
The filmmaker also explored his individual interest for geography and cartography. “I have great affection for cartography,” he observes, “featuring increased geographical representation in this project compared to previous works across my complete filmography.”
Worldwide Consequences
Filmmakers captured footage at nearly a hundred historical locations in various American regions and in London to capture the landscape’s character and collaborated substantially with re-enactors. Various aspects converge to tell a story more bloody, multifaceted and world-changing compared to standard education.
The documentary argues, transcended provincial conflict concerning territory, taxes and political voice. Instead the film portrays a blood-soaked struggle that finally engaged multiple global powers and improbably came to embody described as “humanity’s highest ideals”.
Brother Against Brother
What had begun as a jumble of grievances leveled at London by far-flung British subjects across thirteen rebellious territories quickly evolved into a vicious internal war, dividing communities and households and creating local enmities. During the second installment, scholar Alan Taylor notes: “The primary misunderstanding concerning independence struggle centers on assuming it constituted a consolidating event for colonists. This ignores the truth that it was a civil war among Americans.”
Nuanced Understanding
According to his perspective, the revolutionary narrative that “for most of us suffers from excessive romance and nostalgia and lacks depth and doesn’t have the respect for what actually took place, and all the participants and the incredible violence of it.
It was, he contends, an uprising that declared the transformative concept of the unalienable rights of people; a brutal civil war, separating rebels and supporters; and a worldwide engagement, continuing previous patterns of conflicts between Britain, France and Spain for dominance in the New World.
Unpredictable Historical Moments
Burns also wanted {to rediscover the